Chinatown Gallery Tour & Book Talk with Simon Wu '17

Arts at Work NYC
Jul 10, 2024, 5:00 pm6:30 pm
  • Graduate Students
  • Undergraduate Students


Event Description

Writer and art curator Simon Wu '17 will discuss his new book, Dancing On My Own over dinner, and lead a private tour of the companion exhibition at Earshot Gallery in New York City's Chinatown.

This event is part of Arts At Work: NYC, a summer series of arts performances and showcases, panel discussion, and site visits that introduce students working in New York City during the summer months to creative alumni and the various arts institutions they serve.

Free and open to all Princeton students (including Class of 2024).

Please note: 

  • Tickets are very limited. You will receive an email to confirm your registration before the event. If you do not confirm by the indicated date, your spot will go to someone on the waitlist. Please honor your registration.
  • Students are responsible for their transportation.
  • Registrants will be sent specific locations and logistics closer to the event date. . 
  • Sign up for the waitlist if registration becomes full.

Alumni bio

Simon Wu '17 at the Whitney

Simon Wu '17 

Simon is a curator and writer involved in collaborative art production and research. He has organized exhibitions and programs at the Brooklyn Museum, the Whitney Museum, The Kitchen, MoMA, and David Zwirner, among other venues. In 2021 he was awarded an Andy Warhol Foundation Art Writers Grant and was featured in Cultured magazine's Young Curators series. He was a 2018 Helena Rubinstein Curatorial Fellow at the Whitney Museum Independent Study Program and is currently in the Ph.D. program in History of Art at Yale University. He has two brothers, Nick and Duke, and loves the ocean. You can find more information about Simon here:




Dancing on my Own book

About Dancing on my Own

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. 

Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays. In “A Model Childhood” he catalogs the decades’ worth of clutter in his mother’s suburban garage and its meaning for himself and his family. In “For Everyone,” Wu explores the complicated sensation of the Telfar bag (often referred to as “the Brooklyn Birkin”) and asks whether fashion can truly be revolutionary in a capitalist system—if something can truly be “for everyone” without undercutting someone else. 

Throughout, Wu centers the sticky vulnerability of living in a body in a world where history is mapped into every choice we make, every party drug we take, and every person we kiss.  Wu’s message is that to dance on your own is to move from critique into joy. To approach identity with the utmost sympathy for the kinds of belonging it might promise, and to look beyond it. 

For readers of Cathy Park Hong and Alexander Chee, Dancing on My Own is a deeply felt and ultimately triumphant anthem about the never-ending journey of discovering oneself, and introduces a brilliant new writer on the rise.